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Joss
Stone became noticeable to most last year when
she came out with The Soul Sessions ,
an album of remakes & that was very successful
selling over 2 million copies. Now recently
she came out with Mind, Body and Soul ,
a work of original stuff. Stone is 17 years
of age, is from Devon, England and has been
a big fan of Aretha Franklin and other singers
of American R&B and soul. Stone born Joscelyn
Eve Stoker in 1987 has a phenomenal voice and
reminds some of 60's star singer Janis Joplin.
Can she do here thing using here own songs or
was she a flash in the pan of "blue-eyed soul" (as some have called it)? All we know is soul
is soul and this LP will get a GeoGlobe rating
at the end of this review so lets get into it.
"Right
To Be Wrong" is a guitar laced opening track
where Joss talks about not being afraid to fail
and having enough support to stand up on her
own morals and values.
"Jet
Lag" is an instant thumper as soon the music
comes on and Stone talks about love and the
feelings she gets whenever they are near.
"You
Had Me" is a really 70's sounding cut with Stone
blowing her voice for the world to hear. More
specifically she talks to one particular person
who lost out on a good thing because of being
contradictory.
"Spoiled" is return to the piano sound that Stone is becoming
known for. On the song Stone tells the man she
loved that she was spoiled by his love and made
a mistake trying to replace him.
"Don't
Cha Wanna Ride" uses samples from "Soulful Strut" and lets Stone talk about going for the nice
ride while you can. The harmony on the song
is nice and the song is very lively and Stone's
voice is steady and strong.
"Less
Is More" uses reggae sounds as Stone talks about
not being sweated or crowded from a significant
other. This song makes a lot of sense
because when you are crowded a lot of times
you don't appreciate the nice gestures people
do especially in a relationship.
Other
songs you need to check out are "Security",
"Young At Heart" produced by Salaam Remi, "Snakes
and Ladders", "Torn & Tattered" and the
bonus track is serious and different. It's all
good I must say.
This
album shows a return to live instruments, lyrics
without upfront sexual connotation, and a woman
more likely to shake he boot than her but.
Stone shows that her voice is real as is her
writing talents (along with mentor and sometimes
co-writer Betty Wright) as she wrote 12 of the
albums tracks. Stone's album has some
great help on it including Wright, the Mind,
Body & Soul Orchestra and guest appearances
by Jimmy Farkas, Benny Lattimore, Angelo Morris,
Angie Stone, Ahmir "?uestlove" Thompson,
and the Jazzyfatnastees (Tracey Moore & Mercedes Martinez).
This
album is very enjoyable as Stone shows diversity
in vocal tone and lyrical structure and organization.
You can listen to this while you're doing work
or when it you're trying to get your little
bounce on talking with people or driving. For
someone so young this is a great effort and
we should hope she keeps it up. A shining
true debut for Ms. Stone.
I'll
give the album 4.5 globes.
Any questions, comments, suggestions email
Clayton Ruley at clayton@geoclan.com.
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